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李玉双

    1935年出生于江苏徐州，是国画大师李可染的长子。母亲苏娥为沪上戏曲名家苏少卿长女。
    少年时期，与父亲李可染生活在中央美术学院宿舍大雅宝胡同二号。在这里，他接触到众多当时中国最具影响力的艺术家，他的创作之路，也始于此时。
    1956年，毕业于北京机械制造学校的李玉双赴上海交大造船学院进修，之后分配到郑州机器制造学校教授工程力学。看似与艺术背道而驰的求学和工作经历，却造就了李玉双与自然、艺术的一生之缘。1958年，李玉双调至鲁山。在生活贫困但民风淳朴、景色静谧的大山里，他以隐居山林的心情全身心沉浸于自然之美，创作了大量以自然风景为题材的水彩画和速写作品。
    1971年，李玉双开始研究人类视觉与艺术的关系，制作相关模型并尝试视觉试验，逐步形成一套独特的观察方法和绘画体系。李玉双称之为“光编码”画法。
    李玉双先生在自然中写生创作六十余年，所有作品在自然中完成。
    在描绘自然的过程中，他把科学家的素质和绘画天赋紧密结合起来，形成他完整的系统。正如所有重要的艺术家一样，他的格局并不局限于艺术本身，他的眼光已经超越了绘画的光影色彩，而触及到宇宙自然、天地万物的本质。在探索“光编码”奥秘的艺术之旅中，李玉双看到的是一个无穷尽的世界。

年表

中文
English

1935年	在江苏徐州出生；
1937年	二岁，随母亲到上海；父亲李可染经西安到达重庆，进行抗战宣传，与郭沫若、田汉等共事；
1938年	母亲苏娥去世，年29岁。随外祖父苏少卿生活；苏少卿是中国著名的戏曲评论家，与梅兰芳、程砚秋等京剧名家皆为好友；李玉双开始学习戏曲，喜欢画画。画画源自一种自然的爱好，李玉双回忆他的艺术开始之路；
1942年	七岁，被送回江苏徐州爷爷奶奶家。随奶奶去听戏，徐州梆子。过年过节还接触到许多徐州当地的民间文化；
1946年	父亲李可染回到徐州，这是记事后第一次见他。父亲和他讨论了关于艺术写实的话题；
1948年	十二岁，到北京，开始随父亲生活。父亲李可染由徐悲鸿先生邀请，在中央美术学院国画系任教，经常随父亲去美术学院。父亲的朋友都是当时中国最具影响力的艺术家，包括齐白石、黄宾虹等，李玉双由此接触到这些著名的艺术大师们。在家中，开始自己画一些素描，表现出很强的艺术天赋；
1952年	报考了国立高中，后来改成北京机械制造学校。开始学习力学。毕业后，被分配到河南郑州；
1957年	在郑州机械制造学校开始教学，教授工程力学。为了在教学中演示力学原理，亲手制作了各种模型教具。在实习工厂认识了后来的妻子；
1962年	结婚；
1964年	长子在郑州出生；
1965年	举家迁到妻子娘家所在地开封。这个时期，父亲李可染逐渐成为中国画坛上最具影响力的画家之一，李可染在这个时期进行了多次的外出写生。李玉双受此影响，也在河南每日进行写生，画了大量的水彩，父亲对他的作品大加赞赏；
1967年	从开封调到鲁山工作，这里属于伏牛山脉，风景优美；
1969年	用宣纸和水墨写生，画山景、河滩、民居；
1971年	去丹江看望、照顾了父亲半个月。父亲在酷暑中画《韶山》，这件作品后来成为中国现代山水画史上的名作；他与父亲进行了重要的讨论。他自己的艺术也有了重要的进展。这一年，他选择用科学方法进行艺术探索；
1972年	女儿在开封出生；开始根据书上读到的知识做透视实验研究视觉，了解了人眼的认知原理；他自己进行了大量的科学实验，认为一切都源于一个系统。这一系统，与眼睛、大脑、大脑反映的外界有关；想用跟别人不一样的方法画画。主要作品是油画和水彩；
1986年	回北京，全部时间进行写生，所有作品在户外完成。继续研究视觉和大脑，看有关人类视觉的书，看《科学的美国人》，还有科研画报。采用新的观察方法，用大量的训练改变惯性，眼睛必须经常得到锻炼，以改变往常的观察模式；每日写生画画；
2010年	工作室建好，不过所有写生依然在室外完成。结识尹吉男先生等好友。开始大幅面的作品创作，使用综合材料，尝试西方材料与中国传统纸张的结合；
2015年	今日美术馆举办六十年艺术个展，尹吉男先生、费大为先生任学术主持，魏星先生策展。共展出作品60余幅。展览轰动艺术界；
2017年	前往日本、台湾等地写生；
2018年	每日写生，没有间断。他不在浪费任何时间，每日创作时间长达五六个小时，甚至包括等车的时间； 5月，中国国家大剧院个人绘画展，展览观众近十万人，大量观众留言，专家进行极高的评价，他被誉为东方的莫奈；

1935年	Li Yushuang was born in Xuzhou, Jiangsu province, China;
1937年	At the age of two, he moved to Shanghai with his mother; While his father Li Keran went to Xi'an and stayed in Chongqing, where Li Keran worked with Chinese literati Guo Moruo and Tian Han for the anti-Japanese war propaganda;
1938年	Li's mother Su'e died at age 29, after which Li Yushuang lived with his grandfather Su Shaoqing; At that time, Su Shaoqing was a well-known opera critic and close to famous Peking opera artists Mei Lanfang and Cheng Yanqiu; Li Yushuang began to learn Pecking opera and showed a passion for painting. According to himself, painting was a natural bent;
1942年	At the age of seven, Li Yushuang was sent to his grandfather's home back in Xuzhou. During his stay, he always watched local Bangzi opera performances with his grandmother and had access to much folk culture especially at festivals;
1946年	Li Keran went back to Xuzhou, which was the first time Li Yushuang saw his father as he could remember. They exchanged views on realism art;
1948年	At age twelve, he moved to Beijing with his father, who was invited by Chinese artist Xu Beihong to teach Chinese traditional painting at China Central Academy of Fine Arts. So that Li Yushuang spent much time in campus and got to know some of the most influential Chinese artists like Qi Baishi, Huang Binhong due to his father. During this time, he began to sketch and showed great talent;
1952年	He enrolled in National high school, the later Beijing Institute of Machinery and studied mechanics. After graduation, Li was assigned to Zhengzhou, Henan province;
1957年	Li started to teach Engineering Mechanics in Zhengzhou Manufacturing Engineering School (the current Henan University of Technology). To demonstrate and explain mechanics principle in class, he created kinds of models as teaching tools. Soon, he met his wife in the teaching practice factory;
1962年	Li Yushuang got married;
1964年	Their first child was born in Zhengzhou;
1965年	The family moved to his wife's home in Kaifeng. Then, Li Keran had become one of the most influential Chinese artists and kept the habit of painting outside. Affected by his father, Li Yushuang began to paint outside in Henan province every day, producing a large number of watercolors which got his father's appreciation;
1967年	He departed Kaifeng to Lushan due to work assignment, a beautiful town surrounded by mountains;
1969年	Painting outside, he described local landscape, the beach and folk houses with rice paper and ink;
1971年	Li went to Danjiang and took care of his father for half a month. His father created Shaoshan Mountain in that summer, a masterpiece in Chinese modern landscape painting history; During his stay in Danjiang, Li Yushuang discussed deeply with his father about art and made important progress in his own art system. He decided to explore artistic possibilities in a scientific way;
1972年	Li Yushuang's daughter was born in Kaifeng; Inspired by his readings, Li started to make perspective experiments to study visual sense and understand the cognitive pattern of people's eyes; He synthesized a great number of experiments to the conclusion that the painting system and people's cognitive system are actually the same one, which is related with our eyes, our brains and the signals reflected in our brain; Li Yushuang wanted to paint in a different way. And during this time, most of his works were oil paintings and watercolors;
1986年	Li Yushang went back to Beijing, spending all his time painting outside. He continued his study in brain and visual sense, reading related books like the science magazine Scientific American and Science Pictorial. Utilizing a new observation method, he changed inertia under lots of trainings because he believes the routine training of eyes is the prerequisite for transforming people's conventional observation model; He kept drawing outside every day;
2010年	Li had his own studio but still drew outside. Meanwhile, he made friendship with Yin Jinan and others. He started to create large-scale paintings, utilizing comprehensive materials and trying the mixed use of western materials and Chinese traditional drawing paper;
2015年	Exhibition of Li Yushuang's six decades on sketches and paintings was held at Today Art Museum, curated by Wei Xing and directed by Yin Jinan and Fei Dawei. It displayed more than 60 pieces of his artworks and won wide acknowledgment in art field;
2017年	Li Yushuang made trips to Japan and Taiwan for painting;
2018年	Li Yushuang spent more than 5 hours painting every day, even when waiting for the car; 5,Li Yushuang opened his solo exhibition at Chinese national centre for the performance arts. It attracted an audience of almost 100 thousand, many of whom left reviews after watching it. Experts in art field speak highly of this exhibition and honor Li Yushuang as "Monet of the east" ;

艺术风格

　　由研究绘画的基本原理来找到新的观察方法
　　由一个完整的绘画系统，来看到绘画的真谛
　　绘画系统和认知系统是同一个系统，所以研究绘画系统，就是对宇宙认知的过程
　　我在青年时期，因为绘画，开始对透视实验感兴趣，由此开始对视觉和大脑的研究，从而发现新的艺术原理，艺术系统，反过来这些研究又对我的绘画方法产生了影响，形成我的绘画理论和风格。艺术、科学与自然变为一体。
　　我希望看完我的画之后，就像听了一场新年音乐会，放松，愉快即可。我老伴儿艳芳说，心灵纯净，就会得到简单的幸福，这也是我画画的目的。

开通我的官网
艺术经纪：孟俊美
mengjunmei@artron.net
责任编辑：胡艺
huyi@artron.net

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